Thursday, May 21, 2020
English Paper Rhetorical Analysis of Frankenstein
Mary Shelley makes us question who really the ââ¬Å"monsterâ⬠is. Is it the creature or Victor? While the creature does commit murder, he does not understand the consequences of his actions. He is like an infant who is unfortunately left to learn about the workings of society, and his place in it, on his own. He has no companions and feels a great sense of loneliness and abandonment. The creature voices his frustration and anger and seems to try to project his feelings of guilt onto Victor, as if to show him that he is the ultimate cause of the creatureââ¬â¢s misery while he is simply the victim of Victorââ¬â¢s manic impulse. Shelley utilizes words, phrases, and specific tones when the creature vents his misery to Victor and this evokes, amongst theâ⬠¦show more contentâ⬠¦While Victor is looked upon to be a normal man while the creature is seen as a monster specifically because of his physical appearance. At eight feet, with a gigantic body and a disfigured face, s ociety only looks upon the creature with fear and disgust. However, I wonder, couldnââ¬â¢t Victor be a monster as well? He abandoned the creature in the horror of the moment and even attempts to take the creatureââ¬â¢s life at one point. To me, the creatureââ¬â¢s feelings of rage, revenge, and hurt are what any ââ¬Å"normalâ⬠human would have felt if left to fend for themselves on their own, with no experience of love or kindness from anyone. I believe that the novel Frankenstein questions several social conventions and norms of society, especially when it comes to our notions of humanity and monstrosity. What makes a monster? What makes a human? This leads to the question of whether we are really humans or monsters. Humanity tends to place a large emphasis on appearance and those who do not fit into this category of the ââ¬Å"ideal or typical physical appearanceâ⬠are unfortunately more likely to be looked upon unfavorably. While we say to not judge a book by its cover we, in fact, do so, on a regular basis. The media plays a major role in influencing our perspective in terms of the fine line between humanity and monstrosity. This has led toShow MoreRelatedInterpretation of the Text13649 Words à |à 55 PagesG F I C T I O N MODULE 1 1.1. The fictional world of a literary work Literature is writing that can be read in many ways. We can read it as a form of history, biography, or autobiography. We can read it as an example of linguistic structures or rhetorical conventions manipulated for special effect. We can view it as a material product of the culture that produced it. We can see it as an expression of beliefs and values of a particular class. We can also see a work of literature as a selfcontainedRead MoreAmerican Literature11652 Words à |à 47 Pagespoetry? Good questions! This web page provides a quick overview of poetry analysis. Please note that this handout discusses the basics of poetry; there is much more to know about it than there is room to discuss here. Laurence Perrine s book LITERATURE: STRUCTURE, SOUND, AND SENSE can provide more detailed information about poetry analysis. Until you can get a copy of the book, I hope this page helps you begin your poetry analysis work. What is poetry ? Poetry goes beyond the rhyming of words. TheRead MoreEssay Writing9260 Words à |à 38 Pagespersuasive; however, it is less a formal statement than a relaxed expression of opinion, observation, humour or pleasure. A good informal essay has a relaxed style but retains a strong structure, though that structure may be less rigid than in a formal paper. The informal essay tends to be more personal than the formal, even though both may express subjective opinions. In a formal essay the writer is a silent presence behind the words, while in an informal essay the writer is speaking directly to theRead MoreFigurative Language and the Canterbury Tales13472 Words à |à 54 Pagesnarrative poem that interrupts the chronological action and provides information about the past. Often a characterââ¬â¢s recollections of the past 32. foil: a foil is a character who provides a contrast to another character. In Frankenstein, Robert Walton and Victor Frankenstein are foils. 33. foot: basic unit used in measurement of a line of verse. A foot usually contains one accented syllable and one or two unaccented syllables. 34. foreshadowing: clues in a literary work that suggest events that haveRead MoreMetz Film Language a Semiotics of the Cinema PDF100902 Words à |à 316 PagesChicago Press, Chicago 60637 à © 1974 by Oxford University Press, Inc. All rights reserved. English translation. Originally published 1974 Note on Translation à © 1991 by the University of Chicago University of Chicago Press edition 1991 Printed in the United States of America 09 08 07 6 7 8 9 10 Library of Congress Cataloging-in-Publication Data Metz, Christian. [Essais sur la signification au cinà ©ma. English] Film language: a semiotics of the cinema / Christian Metz: translated by Michael TaylorRead MoreLogical Reasoning189930 Words à |à 760 PagesReasons ................................................................................................ 236 Deceiving with Loaded Language ................................................................................................... 238 Using Rhetorical Devices .................................................................................................................. 240 Review of Major Points .............................................................................................
Subscribe to:
Post Comments (Atom)
No comments:
Post a Comment
Note: Only a member of this blog may post a comment.